Ann wrote: ↑Mon Feb 13, 2023 7:25 am
Well, what do you think? It's the same dark nebula, isn't it?
And isn't it interesting that the photographer has managed to bring out this nebula? It sure isn't often that we see dark nebulas showing up in images that are meant to show us something else entirely. I'm not talking about iconic dark nebulas like the
Coalsack Nebula or the
Pipe Nebula, but anonymous and unfamiliar dark nebulas like Barnard 22.
This certainly says something about how the photographer created his image. But I'll leave that to the many photo experts (Chris?) at Starship Asterisk* to explain.
Ann
While I 100% share your concern about the (excess of) green, this patch of dark nebula is not so difficult to catch in pictures. This being said, there are so many problems with this image (most have already been pointed out, but I'll take a turn at beating the dead horse... and clarifying a few things). I appreciate the author coming here and discussing this, although I note that they did not provide any of the information that could help (or incriminate...) such as: the exact location from where this picture was taken and the focal length of the lens used. Instead, we are served the usual feel good story ("I drove 6 hours to go get this picture, totally worth it!" and the now common but HUGE red flag: "Images taken during the same night, from the same place and with the same camera").
Okay, so here is my list of everything wrong with this picture, in no particular order.
1) The orientation of the sky relative to the horizon is wrong. On this picture, tau Tau (that's funny...), 95 tau, Mars, and the top part of IC2087 (the dark nebula) form more or less a horizontal line. Another way to say that is that the line joining tau tau to Mars is ~parallel to the horizon. But from this part of the world, shortly before setting, this line should form an ~45 degrees angle with the horizon. Anyone can use STellarium (or other) to check this.
In other words:
the sky orientation is rotated ~45 degrees relative to reality.
2) I have strong doubts about the location the sky relative to the mountain. This one is tricky to check without knowing the exact location of where the picture was taken. I'm going to assume that it was taken from the Gornergrat observatory area. This would put the summit of Matterhorn at a 265 degrees heading. When Mars was ~5 degrees above the horizon on that day, its azimuth was 300 degrees. So (assuming that I did not mess up too much my guess about the location from where the photo was taken),
not only is the orientation of the sky not correct, it is also not placed correctly relative to the foreground. Mars should be on the other side of the Matterhorn.
3) Sky and foreground were most likely taken with different sampling sizes (= different scale). A quick plate solving of the image indicates an image scape of 7.09"/pixel (on 4229x3838 full resolution image). On that same image, the height of the edge above Hörnlihütte (the shoulder on the right side of the mountain) is 591 pixels. These 591 pixels represent 1200 meters (the difference in elevation between Hörnlihütte and the summit) or 4190 arcseconds (591*7.09), using the previously obtained sampling scale. For 1200 meters to cover 4190 arcseconds, one would need to be standing ~50 km away from the Matterhorn. That is ~5x the distance from the Gornergrat. So, unless there is a secret spot to take this picture of the Matterhorn from 50 km away (unlikely), or
the foreground (mountain) is simply 5 times smaller than what it should be if it had been take with the same sampling size (=same camera and same focal length) as the background sky.
4) As previously mentioned, the comet is waaaayyyyy too green. We can see that the leftover trails made by the brightest stars (trails from staking/tracking on the comet, which moves fast relative to the background stars) are all green. This clearly tells us that the author turned the color balance/saturation to the top in the green for the layer that contains the image tracked/stacked on the comet.
5) At the time Mars and the comet were that low in the sky, the foreground would have been inundated by the light from the gibbous Moon.
6) Absolutely zero trace of atmospheric extinction. Even in the transparent skies of high elevation Gornergrat, there should be some level of atmospheric extinction visible. On this part, the author was honest in their follow up, explaining that the background sky was captured shortly after nightfall (and before moonrise), when the Mars/Comet duo was high in the sky (and nowhere near the horizon).
So, to summarize, this image shows a comet with an absurdly green color, in the wrong location relative to the foreground, with a sky at a 45 degrees angle from reality and with a factor 5 difference in the scale between the foreground and the sky. As someone suggested, at this point, why not just use a picture of the Eiffel tower in the foreground? Or a macro shot of a beautiful mountain flower (okay, not many flowers in February in the Alps...)
What really bothers me is the use of the this: "Both the foreground and background images were taken on the same evening by the same camera and from the same location." This sentence is clearly there to let us believe that this picture represents some sort of reality. For all the reasons that I have detailed above, it is clearly NOT the case.
APOD has an ethic statement which reads: "APOD accepts composited or digitally manipulated images, but requires them to be identified as such and to have the techniques used described in a straightforward, honest and complete way." In my view, the description for this image should include the fact that different focal lengths were used for the sky and the foreground, the fact that the sky was positioned on the left of the mountain and rotated 45 degrees because it looked nicer and that the colors of the comet had been boosted in the green through the roof.
I know that the authors of the APOD do this on their free time and I certainly appreciate their work. It might be nice to have a group of "reviewers" (experienced astrophotographers) who could share their opnion with the APOD's editors and share their concerns before a photo with extensive digital manipulation is published. The APOD used to be some sort of holly grail for amateur astronomers, but more and more people in the hobby are having a negative view of it because of these images that can be considered "fake". I still love the APOD, but I would love to see a better/strict implementation of the ethics statement mention earlier.
jf