APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

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APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by APOD Robot » Wed May 19, 2010 3:52 am

Image Milky Way Over Ancient Ghost Panel

Explanation: Long before Stonehenge was built, well before the Dead Sea Scrolls were written, ancient artists painted life-sized figures on canyon walls in Utah, USA -- but why? Nobody is sure. The entire panel of figures, which dates back about 7,000 years, is called the Great Gallery and was found on the walls of Horseshoe Canyon in Canyonlands National Park. The humans who painted them likely hunted Mammoths. The unusual fuzziness of largest figure led to this mural section's informal designation as the Holy Ghost Panel, although the intended attribution and societal importance of the figure are really unknown. The above image was taken during a clear night in March. The oldest objects in the above image are not the pictographs, however, but the stars of our Milky Way Galaxy far in the background, some of which are billions of years old.

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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by Beyond » Wed May 19, 2010 4:26 am

From the inner space of a cave to the outer space of the universe. THATS quite a big step - for ANY kind !!
To find the Truth, you must go Beyond.

Bart

Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by Bart » Wed May 19, 2010 6:18 am

Where did the "7000 years" number come from? Any scientific justification?
I would be surprised if this art was more than from about 2000 years ago.

Mousetrail

Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by Mousetrail » Wed May 19, 2010 6:39 am

The ancient signs on this earth that can only be read from the air are unmistakeable. Some thing, or sombody, flew over this earth thousands of years ago. There is a resemblance in the Ghost Panel figures and the rock drawings in the Coso Mountain Range at China Lake Navel Station, California. Since the animal drawings there are so correct, it is hard for me to believe that the aborigines suddenly switched from painting what they saw to painting human shaped objects from their imagination. I believe they were "visited" by what was alien to them at the time and they painted what they saw.

Arf

Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by Arf » Wed May 19, 2010 7:55 am

Is that the TARDIS I see in the rock 'art'?
:D

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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by Beyond » Wed May 19, 2010 9:58 am

Who - who -- Owlice? -- No --- tis the Dr. He thinks.
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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by Jan » Wed May 19, 2010 12:21 pm

That is definitely the Tardis in that picture, or something very like it.

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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by Hofi » Wed May 19, 2010 12:34 pm

Jan wrote:That is definitely the Tardis in that picture, or something very like it.
That's true. I like it too!^^
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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by neufer » Wed May 19, 2010 12:49 pm

APOD Robot wrote:Image Milky Way Over Ancient Ghost Panel

Explanation: Long before Stonehenge was built, well before the Dead Sea Scrolls were written, ancient artists painted life-sized figures on canyon walls in Utah, USA -- but why? Nobody is sure. The entire panel of figures, which dates back about 7,000 years, is called the Great Gallery and was found on the walls of Horseshoe Canyon in Canyonlands National Park.

The humans who painted them likely hunted Mammoths.
The humans who painted them likely hunted Mammoths? [Note: URL above messed up!]

NOT 7,000 years ago and NOT Wooly Mammoths in Utah.

Possibly American Mastodons 10,000 years ago in Utah.
http://en.wikipedia.org/wiki/Mastadon wrote:
<<The American mastodon (Mammut americanum), the most recent member of the family, lived from about 3.7 million years ago until it became extinct about 10,000 years BCE. It is known from fossils found ranging from present-day Alaska and New England in the north, to Florida, southern California, and as far south as Honduras. The American mastodon resembled a woolly mammoth in appearance, with a thick coat of shaggy hair. It had tusks that sometimes exceeded five meters in length; they curved upwards, but less dramatically than those of the woolly mammoth. They are generally reported as having disappeared from North America about 10,000 years ago, as part of a mass extinction of most of the Pleistocene megafauna. Paleo-Indians entered the American continent in relatively large numbers 13,000 years ago, and their hunting may or may not have contributed to a gradual attrition of the mastodon population.>>
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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by neufer » Wed May 19, 2010 12:53 pm

Arf wrote:Is that the TARDIS I see in the rock 'art'? :D
Possibly, Arf.

http://asterisk.apod.com/vie ... 23#p109323
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Bret Webster

Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by Bret Webster » Wed May 19, 2010 1:20 pm

Re the question on Panel age above:
Dating rock art seems to be a challenging task. But there are proven methods that bound the ages fairly reliably! Most appear to rely on radiocarbon and stratigraphic sequencing. In the case of the Great Gallery there have been very significant archaeological finds which support dating the panel to ~7000 years old...and some even older! Excerpt from the referenced link:

Excavations at Cowboy and Walters caves in southeastern
Utah in the mid-1970s uncovered an assemblage
of unfired clay artifacts unlike any previously described
types. Analysis of these clay artifacts in 1994 demonstrated
that some of them were manufactured during the Early
Archaic period. The unfired clay figurines from the Early
Archaic deposits at these sites have been assigned to a new
type called Horseshoe Shouldered figurines. These unfired
anthropomorphic figurines are the earliest figurines in the
Southwest, and have a suspected time range of 5600 to
5000 B.C.

It's interesting to note that the style of the "Barrier Creek" pictographs is so distinct and unique ...say from Anasazi or Fremont that even before these archaeological finds an entirely unique culture was postulated...now supported by various finds in the region.

I don't know what a Tardis is but I should add that one of the most peculiar things I saw as I waited for the sun to set for this image was the placement of a rather old telephone booth just around the corner. ...couldn't fathom why it was there or why the Park Service would supply such a thing in such a remote area or why an Archaic culture would build one when they knew perfectly well there were no telephone lines? ;v}

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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by Mosbycuz3tr » Wed May 19, 2010 1:33 pm

Not that I believe in them, but don't alien buffs cite the next to last figure as a prehistoric astronaut visitor? What are some more sane and sober archaeological musings?

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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by biddie67 » Wed May 19, 2010 2:24 pm

I am envious of that wonderfully clear night sky ....

Hadn't heard of this canyon before - it was obvious at first glance that the style of drawings is very different from other rock drawing styles that I've seen in pictures before.

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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by neufer » Wed May 19, 2010 2:28 pm

Mosbycuz3tr wrote:
Not that I believe in them, but don't alien buffs cite the next to last figure as a prehistoric astronaut visitor?
What are some more sane and sober archaeological musings?
http://indra.com/~dheyser/bc/bc_j.html wrote:
<<The Holy Ghost and Attendants panel is part of the Great Gallery in Horseshoe Canyon (aka Barrier Canyon).
The large figure, the "Holy Ghost," is believed to have been painted by blowing the pigment onto the rock
to create a unique affect. One theory is that this is to create the appearance of a buffalo robe.
Image
Note the finely pecked lines on its torso, which is common for many of the figures at this site. The attendants show abrasion from being pecked after having been created and whether this was done by the original artist or later inhabitants is not known.

Image

One of the many remarkable anthropomorphic figures in the Great Gallery. Note the smaller anthropomorphic figures on the torso, as well as the zoomorphic figures on each shoulder. Some pigment has certainly faded and some has smeared, but the detail and care that went into this image is apparent. This figure is roughly life sized.>>
http://dianeorr.com/ghost.html wrote:
The Holy Ghost Panel
Image

<<Barrier Canyon Style, (style originated with this site in Barrier Canyon, now known as Horseshoe Canyon) B.C. 6500BC to A.D. 300 BC, Emery County

Once difficult to access, now an easy drive and hike, Utah’s premier rock art panel draws a steady stream of visitors. “The Holy Ghost Panel” is part of The Great Gallery, a 300-foot pictograph panel featuring numerous beautifully painted Barrier Canyon style figures.

The moon hangs on the horizon as I walk up Barrier Canyon. It will soon be light. As my feet shuffle in the sand I remember my first trip to The Great Galley. Dr. Dean Brimhall, a seventy year-old archeologist, drove my family in his jeep down a perilous road to reach what was then called “Barrier Canyon.” Brimhall had retired from University life to study Utah’s ancient cultures. He scrambled up and down cliffs using long rope ladders, not unlike the ancient people he studied. He believed The Great Gallery was one of the world’s great artistic masterpieces.

For years [Dr. Brimhall] photographed and wrote about Utah’s rock art. When his work was accepted for publication, Brimhall decided to deliver his valuable slides personally to his publisher. En route, he accidentally left the photographs in a public restroom where they disappeared. The book was never published. His life work was lost.

The streambed, once brimming with clear water is now a river of sand and oak brush. The giant Cottonwood trees of my childhood are gone. Instead large park service signs warn of dehydration.

Above me, on high ledges, dawn turns the deep green leaves almost yellow. The sun inches around the eastern cliff as I round a bend and face the empty eyes of a wall of spirit figures still in shadow. Sunlight creeps quickly down the sandstone wall, touching the skull-like head of the eight-foot Holy Ghost figure. I rush up a sandy cliff, load the camera, lift my tripod, a survey pole, ten feet—to the midriff of the main figure. The cold camera gears click, my heart pounds, I struggle to hold the pole steady and press the starter button on a cable. The sun falls on tall spirit figures and my camera spins, capturing the first light.>>
Art Neuendorffer

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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by JohnD » Wed May 19, 2010 3:52 pm

Bret Webster wrote:I don't know what a Tardis is but I should add that one of the most peculiar things I saw as I waited for the sun to set for this image was the placement of a rather old telephone booth just around the corner. ...couldn't fathom why it was there or why the Park Service would supply such a thing in such a remote area or why an Archaic culture would build one when they knew perfectly well there were no telephone lines? ;v}
It wasn't blue, was it, with a blue flashing light on the top?

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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by bystander » Wed May 19, 2010 4:08 pm

JohnD wrote:
Bret Webster wrote:I don't know what a Tardis is but I should add that one of the most peculiar things I saw as I waited for the sun to set for this image was the placement of a rather old telephone booth just around the corner. ...couldn't fathom why it was there or why the Park Service would supply such a thing in such a remote area or why an Archaic culture would build one when they knew perfectly well there were no telephone lines? ;v}
It wasn't blue, was it, with a blue flashing light on the top?
That's just ridiculous! Why would a British Police Call Box be in the Utah desert? Unless the good doctor was there 7000 years ago.

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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by neufer » Wed May 19, 2010 4:33 pm

Bret Webster wrote:I don't know what a Tardis is...
http://en.wikipedia.org/wiki/TARDIS wrote:
<<The TARDIS (Time And Relative Dimension(s) In Space) is a time machine and spacecraft in the British science fiction television programme Doctor Who. A TARDIS is a product of the advanced technology of the Time Lords, an extraterrestrial civilisation to which the programme's central character, the Doctor, belongs. A properly maintained and piloted TARDIS can transport its occupants to any point in time and space. The interior of a TARDIS is much larger than its exterior, which can blend in with its surroundings through the ship's "chameleon circuit". In the series, the Doctor pilots an unreliable, obsolete Type 40 TARDIS, whose chameleon circuit is faulty, leaving it locked in the shape of a 1950s-style London police box after a visit to London in 1963. The Doctor's TARDIS was stolen from the Time Lords' home planet, Gallifrey, where it was old, decommissioned and derelict. The unpredictability of the TARDIS's short-range guidance—short relative to the size of the Universe—has often been a plot point in the Doctor's travels.

Image

BBC staff writer Anthony Coburn is believed to have conceived the time machine's external form after spotting a real police box while walking near his office on a break from writing the episode. At the time of the series' debut in 1963, the police box was still a common fixture in British cities. It provided a direct telephone link to the local police station; the telephone was located behind a small hinged door making it possible to use it from the outside, while the box itself was used as a temporary office containing a desk.>>
Bret Webster wrote:... but I should add that one of the most peculiar things I saw as I waited for the sun to set for this image was the placement of a rather old telephone booth just around the corner. ...couldn't fathom why it was there or why the Park Service would supply such a thing in such a remote area or why an Archaic culture would build one when they knew perfectly well there were no telephone lines? ;v}
Methinks someone stuck it there as an "E.T., phone home" joke, a la:
http://en.wikipedia.org/wiki/Mojave_phone_booth wrote:
<<The Mojave phone booth was a lone telephone booth in what is now the Mojave National Preserve in California, which attracted online attention in 1997 due to its unusual location. Placed in the 1960s, the booth was eight miles (13 km) from the nearest paved road, fifteen miles (24 km) from the nearest numbered highway, and miles from any buildings. Its telephone number was originally (714) 733-9969, before the area code changed to 619 and then to 760.

Image

The original hand-cranked magneto phone was set up in the 1960s to provide telephone service to local volcanic cinder miners and others living in the area. The government of California mandated that a network of "policy stations" be placed to service residents of isolated parts of the state. The Mojave booth, located at the intersection of two remote dirt roads, probably replaced an earlier booth located 30 miles to the south.The original rotary phone was replaced with a touch-tone model in the 1970s.

The phone was probably little-used for the next decades, until it became a sensation on the Internet in 1997. A Los Angeles man spotted a telephone icon on a map of the Mojave and decided to visit it. He wrote a letter about his adventure to an underground magazine, and included the booth's number. Godfrey Daniels, a local computer entrepreneur, read the letter and started the first of several websites devoted to the Mojave telephone booth. Soon, fans called the booth attempting to get a reply, and a few took trips to the booth to answer, often camping out at the site. Several callers kept recordings of their conversations. Over time, the booth became covered in graffiti, as many travelers would leave messages on it.

In 1999 Los Angeles Times writer John Glionna reported on meeting a man at the booth who claimed the Holy Spirit had instructed him to answer the phone. The man spent 32 days there, answering more than 500 phone calls including repeated calls from someone who identified himself as "Sergeant Zeno from the Pentagon."

The booth was removed by Pacific Bell on May 17, 2000, at the request of the National Park Service. Per Pacific Bell policy, the phone number was permanently retired. Officially, the removal was done to halt the environmental impact of visitors, though pressure from locals unhappy with the increased traffic may have contributed. The story inspired the creation of an independent short film, Dead Line, and a full-length motion picture, Mojave Phone Booth.>>
http://www.templetons.com/pq/ wrote:
Free phone booth at Burning Man

<<Burning Man deliberately takes place in a harsh, remote location. Each year, 30,000+ people gather and build a city of art on the flat playa of the Black Rock Desert in northern Nevada, then dismantle it a week later -- to the point that after cleanup, you can't even tell it was there. It's an environment devoted to being appreciated, commerce-free -- about art and technology and shared experience.

The Black Rock Desert is where the rocket cars broke the sound barrier. It's a perfectly flat dry lakebed, the location miles from the nearest village of Gerlach, and about 90 miles from Reno, the nearest significant city. In other words, it's about the last place you would expect to find a phone booth, which is why I had to build one. Ideally I wanted a traditional "superman" style booth, and those can be found, but cost a fortune to ship, so we went with a more modern pedestal style phone. The goal was to have the phone just sitting there, mounted on the desert floor, connected to nothing, yet working, just where it shouldn't. We did it, and the results were amazing and surprisingly emotional. People refused to believe it, then cried out with joy when it became real. In spite of problems, about 1600 calls were made all over the world.

ImageImage

A phone booth is highly familiar technology -- though especially with the younger crowd, you will find many people who have almost never used them since they grew up with cell phones. Placing it in a setting where it shouldn't be made people look at it like it was new. The exclamations of surprise and joy that people made hearing the voices of distant loved ones they had been out of touch with for only a week were perhaps a tiny taste of how people reacted to the phone when it was novel.>>
Art Neuendorffer

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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by Beyond » Wed May 19, 2010 6:12 pm

HEY! is'nt that last photo of neufer's showing a phone booth like Superman used to use to change in??

Also - those "peck" marks on the cave drawings - could they denote the people seen as having sparkling suits, as in space suits??
Sounds rather copacetic to me :!:
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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by BMAONE23 » Wed May 19, 2010 7:09 pm

Could be Bill & Ted

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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by johndmura » Wed May 19, 2010 7:13 pm

Astro Pic for May 19 description is totally bogus !

Bret Webster

Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by Bret Webster » Wed May 19, 2010 8:45 pm

johndmura wrote:Astro Pic for May 19 description is totally bogus !
John - I thought I might learn something if I asked why you think the narrative is "bogus"?

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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by Eclectic Man » Wed May 19, 2010 8:47 pm

"The oldest objects in the above image are not the pictographs, however, but the stars of our Milky Way Galaxy far in the background, some of which are billions of years old."

Um, how old is the sandstone? It could also be billions of years old.

Bret Webster

Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by Bret Webster » Wed May 19, 2010 9:05 pm

Eclectic Man wrote:"The oldest objects in the above image are not the pictographs, however, but the stars of our Milky Way Galaxy far in the background, some of which are billions of years old."

Um, how old is the sandstone? It could also be billions of years old.
hmm interesting point! I hadn't thought of that...there could have been rocks in the view that were billions of years old! However I thought I understood that in this case the sedimentary rock of the Canyonlands region doesn't typically exceed Pennsylvanian age...about 300-400 MY old? I do think the Vishnu Schist found in the inner Gorge of the Grand Canyon is about 1.75 BY old? That would have qualified! But no metamorphic rock in Horseshoe Canyon...

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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by Chris Peterson » Wed May 19, 2010 9:11 pm

Eclectic Man wrote:Um, how old is the sandstone? It could also be billions of years old.
Canyonlands sandstone was deposited in several episodes, from about 300 million years ago to about 65 million years ago. Most of the stars are much older than that.
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Re: APOD: Milky Way Over Ancient Ghost Panel (2010 May 19)

Post by johndmura » Wed May 19, 2010 9:47 pm

I keep looking at Astro and I am sure that not only is the caption wrong, so is the picture. An exposure long enough to capture those stars would have left "star trails" I have seen pictographs like your images on a rafting trip down the San Juan River in Utah and they are located along the San Juan River not anywhere near Canyonlands. park! I would rather see old photos than having my "chain pulled" by sophist pundits who think they are clever.

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