[quote="Beyond"]
pantaloons :?: :?:
Geeze neufer, when you said you were older that dirt, i didn't realize how old the dirt was that you were referring to :!:[/quote][quote=" http://en.wikipedia.org/wiki/Trousers"]
<<During the French Revolution, the male citizens of France adopted a working-class costume including ankle-length trousers, or pantaloons (from a Commedia dell'Arte character named Pantalone) in place of the aristocratic knee-breeches. The new garment of the revolutionaries differed from that of the ancien regime upper classes in three ways: it was loose where the style for breeches had most recently been form-fitting, it was ankle length where breeches had generally been knee-length for more than two centuries, and they were open at the bottom while breeches were fastened. This style was introduced to England in the early 19th century, possibly by Beau Brummell, and by mid-century had supplanted breeches as fashionable street wear. At this point, even knee-length pants adopted the open bottoms of trousers (see shorts) and were worn by young boys, for sports, and in tropical climates. Breeches proper survived into the 20th century as court dress, and also in baggy mid-calf (or three-quarter length) versions known as plus-fours or knickers worn for active sports and by young school-boys. Types of breeches are still worn today by baseball and American football players.
Sailors may have played a role in the worldwide dissemination of trousers as a fashion. In the 17th and 18th centuries, sailors wore baggy trousers known as galligaskins. Sailors also pioneered the wearing of jeans, trousers made of denim. These became more popular in the late 19th century in the American West because of their ruggedness and durability.>>[/quote][quote=" http://en.wikipedia.org/wiki/Pantalone"]
<<Pantalone, or Pantalone de' bisognosi, Italian for 'Pantalone of the needy', is one of the most important principal characters found in commedia del arte. With his exceptional greed and status at the top of the social order, Pantalone is "money" in the commedia world.
Commedia productions date back to Italy around the year 1560, making the origin for Pantalone's character quite difficult to determine. The most common explanation for the name "Pantalone" comes from the Italian phrase pianta leone, translated as "plant the lion." The lion may, in fact, refer to the emblem of the Republic of Venice, and Venice's conquests around the globe where Venetians had literally "planted the lion" flag. Another explanation is that the name comes from Saint Pantaleon (in Italian Pantaleone), a saint venerated in Venice. [b][color=#0000FF]Pantalone's character is always a Venetian old man, "a rich and almost miserly old merchant, always decrepit and stumbling." The character of Pantalone is entirely based on money and ego, for he has the highest regards for his intelligence, "but at every step he becomes the butt for EVERy conceivable kind of trick".[/color][/b] With little else to occupy his thoughts after a life as a tradesman or merchant, Pantalone is the metaphorical representation of money in the commedia world. Pantalone is usually the father to one of the lovers, another stock character found in commedia. He is driven to keep his child and their respective lover apart. Pantalone is presented either as a widower or bachelor, and despite his age, makes numerous passes at the women within the commedia world, "though he is always rejected". Pantalone never forgets a deal and his merit is based on actions, not words.
[float=left][img]http://4.bp.blogspot.com/-I28LAr7ag-8/UIYfk2aMPMI/AAAAAAAAC1A/B53pfO5RkKw/s1600/no+apology.jpeg[/img][/float]Despite his sinister and often inhumane treatment towards his fellows, Pantalone is perceived to be a pivotal part of commedia. His importance is represented in almost every commedia production; often placing him at the beginning of the comedy. In a commedia comedy, many zanni or lazzi routines will begin by an action delivered by Pantalone himself.
[b][color=#0000FF]The traditional Pantalone stance is that of a hunch-backed old man. While it would generally be assumed the hunch-backed position may be one of an elderly old man, it is really for the protection of his money bag that generates his apparent frailty. He walks with his hips forward, allowing him to make larger strides when he walks. He often falls backwards, generally to bad news related in some way or another to his financials. When this occurs, he is often amusingly "turtle-like" and is often stuck in that position until assisted. None of Pantalone's physical actions should look easy, for his is truly "the oldest of the old".[/color][/b]
Pantalone's character has transcended through the decades; "were we to seek his present-day counterpart we should not be far wrong in thinking of a middle-aged businessman, wealthy and well esteemed, apt at times to dally with ladies full of doubtful virtue, at other times as apt to show himself the devoted father anxious to protect a young son or puzzled by the actions of a daughter he does not understand". Parts of his character, from the overprotective father to the greedy man concerned with nothing but his wealth, are traits familiar to today's pop-culture world. For example, the school principal in the film Sixteen Candles (1984) is an interpretation of the Pantalone character, for his goal is to keep the two main characters from being together and to maintain some type of control of his school. He is the bitter old man determined to keep his students from having any kind of fun. On the television show The Simpsons, Mr. Burns, owner of the Springfield Nuclear Power Plant and the richest citizen of Springfield, is perhaps the epitome of the Pantalone character. He is greedy, stingy, and occasionally downright mean.>>[/quote]