Starship Asterisk*

NoelC wrote:I guess the LSD injection system of the Rolls Royce turbine engine is a pretty well guarded secret after all.

NoelC wrote:3 whole posts about brightly colored clouds and no contrail conspiracy theorists discussing chemicals being illicitly distributed to the public by the government? This is some kind of record! I guess the LSD injection system of the Rolls Royce turbine engine is a pretty well guarded secret after all.

-Noel

neufer wrote:

Beyond wrote:
Well, It's nice to know that i don't have Apophenia

I'm not quite sure how you make that connection, Beyond.

Beyond wrote:
Well, It's nice to know that i don't have Apophenia

BMAONE23 wrote:
And the ability to recognise a pattern is called Intelligence

http://tinyurl.com/6jkujuc wrote: --------------------------------------
Brian Greene's restaurant at the end of the parallel universe
By Monica Hesse, Washington Post Staff Writer
Friday, February 4, 2011; 9:44 PM

<<Brian Greene is one of the most famous theoretical physicists in the
world. He specializes in the super-brainy field of string theory, he
has degrees from Harvard and Oxford, he has written four books, he is
one of the few people in the world who has an Erdos-Bacon number,
meaning that he can be traced back to both Hungarian mathematician
Paul Erdos and to Kevin Bacon. So naturally, we are talking about
cheese.

Inasmuch as string theorists can have groupies, Greene has them: grad
student physicists, tinfoil cappers, Madeleine L'Engleites, bored desk
jockeys who like to read Greene's books in prominent, public places
and casually mention their own theories. People see a term like
"theoretical physicist" and mentally lop off the "physicist" part,
leaving a misguided notion that Greene's research is basically a bunch
of guesswork.

"It's kind of an occupational hazard," he says of the fans who to
share their own "research." "On the one hand, I love it because it
shows how curious we are as a species. . . . On the flip side, when I
get a manuscript where someone says, 'I've been working on this for 36
years, and my wife has almost left me, but *HERE it IS* , I've got the
answer' - and its pages and pages of largely incoherent ideas, there's
something deeply sad about that."

"In their minds," he says, "they have Einstein [who was toiling in
obscurity at the patent office when he had some of his most revelatory
thoughts] as an example of how discovery can happen." >>

Chris Peterson wrote:

RJN wrote:
Just above the colors, I see the head of a fox, including a long neck, a snout, and both ears. Does anyone else see this?

I think I see what you're talking about. Just above that, though, I see a deer in profile, with a nice big set of antlers going up and to the right.

http://en.wikipedia.org/wiki/Sylph wrote:
<<Sylph (also called sylphid) is a mythological creature in the Western tradition. The term originates in Paracelsus, who describes sylphs as invisible beings of the air, his elementals of air. There is no known substantial mythos associated with them. As alchemy in the West derived from Paracelsus, alchemists and related movements, such as Rosicrucianism, continued to speak of sylphs in their hermetic literature.

The first mainstream western discussion of sylphs comes with Alexander Pope. In Rape of the Lock, Pope satirizes French Rosicrucian and alchemical writings when he invents a theory to explain the sylph. In a parody of heroic poetry and the "dark" and "mysterious" literature of pseudo-science, and in particular the sometimes esoterically Classical heroic poetry of the 18th century in England and France, Pope pretends to have a new alchemy, in which the sylph is the mystically, chemically condensed humors of peevish women (e.g., Ann, Owlice...). In Pope's poem, women who are full of spleen and vanity turn into sylphs when they die because their spirits are too full of dark vapors to ascend to the skies. Belinda, the heroine of Pope's poem, is attended by a small army of sylphs, who foster her vanity and guard her beauty.

This is a parody of Paracelsus, inasmuch as Pope imitates the pseudo-science of alchemy to explain the seriousness with which vain women approach the dressing room. In a slight parody of the divine battle in Alexander Pope's Rape of the Lock, when the Baron of the poem attempts to cut a lock of Belinda's hair, the sylphs interpose their airy bodies between the blades of the scissors (to no effect whatsoever). The chief sylph in The Rape of the Lock has the same name as Prospero's servant in Shakespeare's The Tempest: Ariel.

Because of their association with the ballet La Sylphide, where sylphs are identified with fairies and the medieval legends of fairyland, as well as a confusion with other "airy spirits" (e.g., in William Shakespeare's A Midsummer Night's Dream), a slender girl may be referred to as a sylph. Sylph has passed into general language as a term for minor spirits, elementals, or faeries of the air. Fantasy authors will sometimes employ sylphs in their fiction. Sylphs could create giant artistic clouds in the skies with their airy wings.>>

RJN wrote:Just above the colors, I see the head of a fox, including a long neck, a snout, and both ears. Does anyone else see this?